Vicente Mollestad

Vicente Mollestad artistic practice develops within and around the theme of the West’s (conflicted) relationship to the non-Western.

The meeting point betweeen forms the basis for (the production of) ideas and discourse mainfested in installations, interventions, activism, painting and performance.

Vicente is based in La Paz, Bolivia but 
is currently in a residency stay in Skien, Norway.

This website is under construction, to see some work from the older website press here.


Upcoming:
  1. Hvitsten Salong 30.07.21
      Sleeping Outside the House

  2. Greenlight District 17.11.21
      The Cannibal Archive

  3. Spriten Kunsthall 2022
      TBA.
Mark

4. Loren Eiseley





LE / 1957
From The Immense Journey

            A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.




Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.
            Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out.
Mark